Fidelity To The Subject's Thought And To

The ‘i’ Character In Journalism Is Almost Pure Invention. Unlike The ‘i’ Of Autobiography, Who Is Meant To Be Seen As A Representation Of The Writer, The ‘i’ Of Journalism Is Connected To The Writer Only In A Tenuous Way—the Way, Say, That Superman Is Connected To Clark Kent. The Journalistic ‘i’ Is An Overreliable Narrator, A Functionary To Whom Crucial Tasks Of Narration And Argument And Tone Have Been Entrusted, An Ad Hoc Creation, Like The Chorus Of Greek Tragedy. He Is An Emblematic Figure, An Embodiment Of The Idea Of The Dispassionate Observer Of Life.

All Analyses End Badly. Each 'termination' Leaves The Participants With The Taste Of Ashes In Their Mouths; Each Is Absurd; Each Is A Small, Pointless Death. Psychoanalysis Cannot Tolerate Happy Endings; It Casts Them Off The Way The Body's Immunological System Casts Off Transplanted Organs.

The Writer, Like The Murderer, Needs A Motive.

There Are Good Photographers Who Might Elevate Themselves To The Ranks Of The Great Simply By Burning Most Of Their Work.

Malice Remains Its Animating Impulse.