I Really Trust Audiences As Having Excellent

The Problem With Prototypes Is They Don't Always Work.

. . . I Wrote A Letter To Thomas Pynchon Asking, Can I Have Your Permission To Try To Make An [adaptation] Of Your Book? And I Had No Idea That He Would Answer Me, Because He's Pretty Elusive. But He Did Send A Letter Back That Said, Yes, You Can Do That - As Long As The Only Instrument In The Opera Is A Banjo. I Thought, That's An Interesting Way Of Saying No.

The Fewer Expectations You Have, The Better.

As A New Yorker, I'm Someone Who Lives On An Island And Looks Across To America.

Writers Want To Summarize: What Does This Mean? What Did We Learn From This? That's A Very 19th-century Way Of Thinking About Art, Because It Assumes That It Should Make Our Lives Better Or Teach Us Something.