I'd Studied Dance In Chicago Every Summer

In The 1930s There Was This Tendency In Hollywood To Portray Everyone As Rich. Even If They Were Doing A Poor Man's Dance, They Were All So Nicely Clothed, Gowned, Coiffured. That's Why I Decided To Wear White Socks, Loafers, T-shirts, And Blue Jeans. I Had A Sociopolitical Context In Front Of Me: I Was A Child Of The Depression Who Danced In A Way That Would Represent The Common Man.

Like An Athlete, [dance] Is An Everyday Job. You Have To Stay In Shape - Unless You Just Want To Loaf Through A Couple Of Hoofing Routines. But That Just Didn't Satisfy Me.

I Don't Understand The Whole Concept Of Doubles. They Used To Do That In The Early Sound Films In Hollywood, But I Thought We Had Gotten Rid Of That. Now Not Only Do You Have Doubles, But As In Flashdance, You Have Triples, Quadruples. From My Point Of View It Is Bad For The Art.

There's Nothing Revolutionary About Saturday Night Fever . You Can See The Same Kind Of Movement At Your Local Disco.

I Think Dancing Is A Man's Game And If He Does It Well He Does It Better Than A Woman.