The Great Thing About The Business Is

It's A World In Which People's Motives Are Questionable And Shadowy.

I Was Lucky That I Was Getting Exposed To A Lot Of Different Kinds Of Films, And I Was Liking Them All. So It Seemed Logical To Me That You Could - As In The Style Of The Studio Directors Of The 30s And 40s - Jump From One Genre To The Next, With The Same Satisfaction.

People Like Chris Nolan Are Shooting Isolated Sequences In Imax. Those Cameras Are The Size Of A Volkswagen.

I've Begun To Believe More And More That Movies Are All About Transitions, That The Key To Making Good Movies Is To Pay Attention To The Transition Between Scenes. And Not Just How You Get From One Scene To The Next, But Where You Leave A Scene And Where You Come Into A New Scene. Those Are Some Of The Most Important Decisions That You Make. It Can Be The Difference Between A Movie That Works And A Movie That Doesn't.

If You Think That Because You're Che, When You Go Into Bolivia, When People Find Out It's You, That They're Going To Have The Same Kind Of Reaction That The Cubans Had To Castro, Then You're High.