The Individual Representation Of The Object, Treated

Height, Width, And Depth Are The Three Phenomena Which I Must Transfer Into One Plane To Form The Abstract Surface Of The Picture, And Thus To Protect Myself From The Infinity Of Space.

In Principle, Any Abstraction Of The Object Is Allowed Which Has A Sufficiently Strong Creative Power Behind It.

We Will Enjoy Ourselves With The Forms That Are Given Us: A Human Face, A Hand, The Breast Of A Woman Or The Body Of A Man, A Glad Or Sorrowful Expression, The Infinite Seas, The Wild Rocks, The Melancholy Language Of The Black Trees In The Snow, The Wild Strength Of Spring Flowers And The Heavy Lethargy Of A Hot Summer Day When Pan, Our Old Friend, Sleeps And The Ghosts Of Midday Whisper. This Alone Is Enough To Make Us Forget The Grief Of The World, Or To Give It Form.

Often, Very Often, I Am Alone. My Studio In Amsterdam, (beckmann Lived In The Center Of Amsterdam During World War 2.) An Enormous Old Tobacco Storeroom Is Again Filled In My Imagination With Figures From The Old Days And From The New, Like An Ocean Moved By Storm And Sun And Always Present In My Thoughts. Then Shapes Become Beings And Seem Comprehensible To Me In The Great Void And Uncertainty Of The Space Which I Call God.

The Greatest Mystery Of All Is Reality.